Coda

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Later, Ali sat in her study at the Academy. She looked over the journal entry she had written and added a little more.

—«—»—

"Micha has been getting better over the past few days. She is still reluctant to leave the apartment, but her old self is starting to re-emerge. I've tried my best to not hover, not offer magickal quick fixes. I want so much for her to heal, to be the Micha she was.

"I saw a mention of Ronnie in the police blotter. He's up on charges for 25 counts of voyeurism, aiding in sexual assault, and a few other things. Looks like the SPD is investigating quietly out loud. They want to be seen as acting, but not parade his 'clients' through the media.

"Keltam seems to have crawled into a hole somewhere. Molly found that out when she learned a few of the 'Bro Brokers' at Stileman's were waiting on him to provide them a 'tranie treat'. Bright Lady above, Molly handled that quietly with her supervisor and the HR department there. Two of the 'Bros' were out on their asses by the end of the day.

"Julio has revamped some of the policies at the hardware store. He's brought in people we know to help put together a training course on harassment, assault, and unacceptable behaviour—from the employees, employer, and customers. And from what he told Molly, he also leaned on other merchants regarding Keltam and Ronnie. Effectively blacklisting them.

"Here's hoping that takes, and things remain quiet in Seattle."

 

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Dec 20, 2025 02:32

Gripping, heartfelt, and full of justice

Jan 12, 2026 01:18

Thank you.

Feb 21, 2026 11:10 by Lara Preston

I loved how Ali’s Return Home gently shows Ali’s thoughtful care for Micha’s healing and community accountability after her return that quiet, humane touch makes the whole piece feel grounded and real. Did you have a particular reason for focusing on the everyday consequences for characters like Keltam and Ronnie instead of just the magical or dramatic elements?

Feb 23, 2026 09:36

I'm writing more from a character motivation/pov place. Why Ali is doing what she is doing is more important that the flash of magic. That's why her cooking, working on the couch, making a tentative offer to Micha are given as much care as he confronting Keltam. This is the world she inhabits and bringing that across is important to me.   The drama is part of those beats, but it feels more believable for me than purely focusing on tension between characters or moving from crisis point to crisis point. There was more to tell, more to pass along that was important about the characters.   And as for magic… It isn't the "carry the story" element for me, at least here. It informs Ali's character. It places the type of world she, Molly, and Micha live in. I don't think it should be the driver of the plot or momentum, even when it is big and flashy.

Feb 23, 2026 11:32 by Lara Preston

That makes so much sense! I really appreciate how much care you give to Ali’s everyday actions they really bring her motivations and the world she lives in to life. I’m curious, do you find that focusing on these quieter, character-driven moments influences how you plan the bigger, more dramatic or magical scenes later on?

Feb 24, 2026 03:20

In some ways. If I feel im progressing in a positive way to tell the story but I'm overloading events, a quiet scene helps me to re-centre. It also allows me a place to look at what I've written to remember where I was going and let things catch up.   They can also be nice worldbuilding moments for me - like the couch. It add flavour to Ali's world without demanding a bigger outcome later.

Feb 24, 2026 08:20 by Lara Preston

That makes a lot of sense! I love that you use the quieter scenes not just to pause and reflect, but also to add little details that make Ali’s world feel so lived-in it really shows in your writing.   If you’re comfortable with it, I’d love to connect on another social and chat more about your story sometime, but no pressure at all!